theatrical performance

A short theatrical performance that is part of a longer program .

作为较长节目一部分的短小的戏剧表演。

The opera was good theater . theatrical performance combining singing and dancing .

这出歌剧的舞台效果好。兼有歌舞的戏剧表演。

There 's no real plot development here like you 'd find in the traditional theatrical performance .

这里面没有真正的，你会在传统剧院戏剧里的情节发展。

In the cut , the theatrical performance was also favored by the ruling class .

而在禁中，戏曲表演明显也受到了统治阶级的青睐。

A theatrical performance held during the daytime ( especially in the afternoon ) .

白天（特别是午后的）戏剧演出。

Use of paintings , sculpture , and video in live theatrical performance by the artist .

现场戏剧表演中艺术家掺入绘画、雕塑和摄像等形式的综合艺术。

Theatrical performance combining singing and dancing .

兼有歌舞的戏剧表演。

The measurement results meet the requirements specified in the industrial standard and in the applications for theatrical performance and convention .

测量结果满足行业标准，使用能满足文艺演出，会议多方面的要求。

Some place villagers also from construct the theatrical performance sub-element , use leisure time rich villagers'cultural entertainment activity .

有的地方村民还自建文艺演出小分队，利用闲暇时间丰富村民的文化娱乐活动。

Theatrical performance combining singing and dancing . A full-length opera is to be shown tonight in our city .

兼有歌舞的戏剧表演。在今夜，在本市，一部大型歌剧即将上演。

It is a magnificently theatrical performance .

那场戏剧演出精彩檄了。

Theatrical performance is practically the history of the understanding about hallucination and theatricality as the history of their ebb and flow .

一部戏剧演出史，几乎就是人们对幻觉性与剧场性的认识史，是幻觉性与剧场性相互斗争、相互消长的历史。

An ancient Roman theatrical performance in which one actor played all the parts by means of gesture and movement , accompanied by a narrative chorus .

古罗马哑剧表演：一种古罗马剧场表演形式，一个演员通过手势和姿势，并伴以讲述的合唱来演出全部的情节。

Something , such as a theatrical performance or a book , whose portrayal of gender roles is unexpectedly nontraditional or androgynous .

两性特征的性格：某种事物，象一剧院演出或一本书，其中的性别角色的表演出乎意料地打破传统或兼有两性特征。

Most previous researches separate the written text and a theatrical performance of a drama translation . They neglect the reproduction of the original style in drama translation .

之前的一些研究把话剧翻译的书面文本与舞台表演割裂开，这不可避免地忽视了话剧翻译中的风格再现。

The whole history of theatrical performance shows the fact that hallucination and theatricality are interdependent ; the one - sided pursuit of either will have negative effect .

整部戏剧演出史证明了这样一个事实：幻觉性与剧场性二者不可缺一，它们之间是相互依存的，单纯地追求幻觉性或剧场性只能得到消极性效果。

To be sure , this was very late for a theatrical performance ; but they had been obliged to suit the convenience of the ambassadors .

对于演戏来说，无疑是迟了，可是得照顾使臣们的时间呀。

Though the terms of hallucination and theatricality in theatrical performance system occurred comparatively late , they are very important in history in that all the efforts and disputes related to .

作为戏剧演出系统中的重要术语，幻觉性与剧场性出现得较晚，然而历史上关于戏剧演出的一切努力与争斗可以说都是围绕着幻觉性与剧场性而展开的。

The study of drama translation is , however , a less explored area characterized by a serious lack of guiding theory , and the theatrical performance dimension in such a study is often neglected .

就目前而言，翻译界对戏剧翻译所作的研究为数不多，对戏剧翻译专项研究多注重探讨戏剧剧本作为文学剧本的翻译，对其舞台演出的终极目的多被忽略。

From the viewpoints of reception theory and readers-response theory , the present writer delves deeply into the overlooked problem of how the audience read theatrical performance in the Western dramatic theory and dramatic history studies .

作者运用西方晚近兴起的接受美学和读者反应理论的成果，深入考察了西方戏剧理论和戏剧史研究中一个被忽略的问题，即观众是如何解读戏剧表演的。

Firstly , it gives a survey of the core theories in such fields of study as the German School of Functionalist Translation Studies , Intercultural Communication , Theatrical Performance , Gestalt Psychology , Discourse and Register Analyses , etc.

首先，本文纵览德国功能派译学、跨文化交际、话剧表演、话语和语域分析、格式塔心理学等学科的核心理论。

The study of drama translation is a comparatively less explored area characterized by a serious lack of guiding theory , and therefore theatrical performance as the ultimate fulfillment of translated drama 's special property has conveniently been neglected .

在整个翻译学研究中，关于戏剧翻译的理论研究一直较少为人涉足，尤其是以舞台演出为目的戏剧翻译，更是一块被忽略的领域。

In the light of the functionalist approaches , this dissertation clarifies the interrelationship between the dramatic text and the theatrical performance and proposes three categories of translation – inadequate translation , adequate translation and balanced translation for the evaluation of drama translation .

本文以功能翻译理论为依据，阐明了戏剧文本和舞台表演相互之间不可分割的依存关系，并由此提出可用于戏剧翻译评价的三种翻译类别&均衡翻译、充分翻译、不充分翻译。

Different from fiction and poetry , drama has the dualistic nature as both a literary art for readers and a theatrical art for stage performance .

不同于小说和诗歌，戏剧具有二元性，不仅可以作为文学作品供读者阅读，也可以用于舞台演出。